Pete’s career began fairly inauspiciously at the age of 18 deep within the bowels of the Nat West bank in Marble Arch putting bank statements into envelopes. An unfortunate incident involving a picture of a lady and a horse being accidentally sent to the Convent of the Sacred Heart along with their financial records led to a re-think and a few days later, Pete had enrolled at the Royal London College Of Music.

After a couple of years of hard study, ruthless self-denial and curry, Pete was out on the road with the National Youth Jazz Orchestra, and during his time there, got to play all five saxophone parts, the solo flute part, the bass guitar, and on one rather messy occasion, the fourth trumpet. Having the unusual inclination to play modern jazz on the rather “old-fashioned” clarinet led to several works for clarinet and big band being commissioned during his stay, and established a tradition of clarinet solos in NYJO which has plagued the saxophone section ever since.

Pete was recently involved in live and studio work with Jools Holland’s Rhythm and Blues Orchestra, the BBC Radio Big Band, arranging for and directing the poll-winning 9;20 De-Luxe. 10-piece swing band and re-creating the music of Dizzy Gillespie in quintet and big band formats. In the course of playing with Jools, Pete has worked with a diversity of popular icons from Vinnie Jones to Lionel Richie and The Blind Boys Of Alabama to Sting. Working with Jools Holland has also enabled Pete to arrange music for Sir Paul McCartney, Chrissie Hinde, Jane Horrocks, Ray Davies and the unique talents of Marianne Faithfull! The famous oboe intro on "Handbags and Gladrags" by the Stereophonics is also Pete’s work, and a recent high was playing solo baritone saxophone in Dr John’s UK band.

In his spare time, he makes Airfix planes in his garden shed and is restoring an old Karmann Ghia.